Kindred spirits artwork7/26/2023 Durand, a friend of both Cole and Bryant, depicted his friends in their companionate stance in a location they both expressed in their creative pieces. Currently, the painting is held in the Crystal Bridges Museum of American Art in Bentonville, Arkansas.Īt its heart, Kindred Spirits is a memory piece. The painting was on display at the National Gallery of Art between 20. The Library was criticized for "jettisoning part of the city's cultural patrimony," but the Library defended its move stating it needed the money for its endowment fund. In 2005, it was sold at auction to Walmart heiress Alice Walton for $35 million, a record for a painting by an American artist. In 1904, Bryant's daughter Julia donated the painting to the New York Public Library. Whose words are images of thought refin’d, Is my soul's pleasure and it sure must beĪlmost the highest bliss of human-kind, When to thy haunts two kindred spirits flee. Yet the sweet converse of an innocent mind, By then it was known as, Kindred Spirits, a title inspired by John Keats' "Sonnet to Solitude." While there it received high praise in the press and periodicals. "Every body admires it greatly," he wrote, "and places it high as a work of art." A few weeks after the painting was delivered to Bryant, it was exhibited at the National Academy of Design. Bryant described his first impression of the gift to Durand, writing, "I was more delighted with it than I can express, and am under very great obligations to you for having put so much of your acknowledged genius into a work intended for me." He continued on to state that "the painting seems to me in your best manner, which is the highest praise." According to Bryant, visitors to his home admired the painting too. Within days of receiving the painting, Bryant wrote thank you notes to both Sturges and Durand expressing his praise for the work. I hope that you will accept the picture from me as a token of gratitude for the labor of love performed on that occasion. Durand to paint a picture in which he should associate our departed friend and yourself as kindred spirits. Soon after you delivered your oration in the life and death of our lamented friend Cole, I requested Mr. The painting was commissioned by New York art collector and advocate Jonathan Sturges as a gift to Bryant who in May 1848 had presented a eulogy for the painter Cole (who had unexpectedly died in February of that year). Kindred Spirit is exhibited in the Crystal Bridges Museum of American Art in Bentonville, Arkansas. Rather, it is an idealized memory of Cole's discovery of the region more than twenty years prior, his friendship with Bryant, and his ideas about American nature. The landscape painting, which combines geographical features in Kaaterskill Clove and a minuscule depiction of Kaaterskill Falls, is not a literal depiction of American geography. It depicts the painter Thomas Cole, who had died in 1848, and his friend, the poet William Cullen Bryant, in the Catskill Mountains. Kindred Spirits (1849) is a painting by Asher Brown Durand, a member of the Hudson River School of painters. Tour: Smithsonian American Art Museum, Washington, D.C., September 14, 2007–JanuSan Diego Museum of Art, February 2–April 27, 2008.Kindred Spirits (1849). Fleischman, the Gilder Foundation, and the Brooklyn Museum American Art Council. Durand and the American Landscape is made possible by the Henry Luce Foundation.Īdditional generous support is provided by Cheryl and Blair Effron, Barbara G. Mellon Curator of American Art and Chair, Department of American Art, Brooklyn Museum. Ferber, Vice President and Museum Director of the New-York Historical Society and former Andrew W. This exhibition is organized for the Brooklyn Museum by Linda S. Most important, this career retrospective displays together some of the most beautiful and famous American landscape paintings of the nineteenth century. Newly discovered works, new information, and new approaches to the study of art history necessitate another look at Durand’s contribution. Consequently, Durand was the natural choice for the Brooklyn Institute’s very first commission: The First Harvest in the Wilderness (1855)-the cornerstone of the Brooklyn Museum’s American painting collection. Durand was both an influential artist and the acknowledged dean of the American landscape school from his election as president of the National Academy of Design in 1845 until his death at the age of ninety in 1886. Durand’s career in more than thirty-five years. This exhibition of nearly sixty works is the first monographic exhibition devoted to Asher B.
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